What Movie Are You Watching?

I discovered Mr Lobo from a Halloween special from AVGN and have been a fan of his ever since. The first video is the same Halloween Special. (Just in time for Halloween! ^^! ) The second is a "thank you" video for the subs on YouTube. The third is a Mr Lobo Does. And the fourth is from one of his hosting's of a movie, which he is most famous for.




 
Ah, sadly I really didn't like it :( On the one hand, you can tell that there was so much interference, but on the other hand, it just felt all over the place. A shame as the previous film 'The Fox and The Hound' was beautiful. I burst into tears every time I watch it, because I have a basset hound myself. The 70's Disney films have a rough-hewn charm, but I have to say it's the 30's, 50's and modern ones that do it for me mostly.

Also, fully agree re: Casino Royale. I'm a massive Bond fan and that's in my top 5 along with Dr No, Goldfinger, GoldenEye and From Russia With Love (with a soft spot for The World Is Not Enough and The Spy Who Loved Me)!

Not a problem! I can definitely see it being a completely-different thing than the usual Canon and that's why people weren't fans; as I mentioned, it shouldn't have been a Disney film.

I can't even read about the Fox and the Hound without feeling sad, so I try to avoid it lol (only because I know about the source material; it is SIGNIFICANTLY more bleak than the film). Superb film though!

My top 5 for Bond is:

5. Goldfinger
4. On Her Majesty's Secret Service
3. The Spy Who Loved Me
2. Goldeneye
1. Casino Royale

My 5 favourite for Bond is:

5. License to Kill (both Dalton Bonds are super-underrated, IMO; love the direction the took with this one and Robert Davi is a great villain).
4. The World is not Enough (also underrated, Brosnan's best after Goldeneye).
3. Casino Royale (already talked about it above)
2. Live and Let Die (LOVE IT. Jane Seymour is my favourite Bond girl, the settings are awesome and love the villains. Also Moore is my favourite Bond).
1. Goldeneye (Martin Campbell is the best, modern Bond Director by far; this film is just awesome from the word go and it is my 3rd favourite film ever).

OHMSS would be 6th and TSWLM would be 7th. After that, I'd need to take a closer look at the films to make a definitive list lol.
 
I actually quite liked the musical elements of Godzilla vs The Smog Monster. It reminded me of the Stray Cat Rock series in that they shoehorned some psych rock in, but as I quite like the music, it didn't bother me. I think the best quote for this movie was "the fight scene felt like "They Live" except 3 times longer haha!
 
Not a problem! I can definitely see it being a completely-different thing than the usual Canon and that's why people weren't fans; as I mentioned, it shouldn't have been a Disney film.

I can't even read about the Fox and the Hound without feeling sad, so I try to avoid it lol (only because I know about the source material; it is SIGNIFICANTLY more bleak than the film). Superb film though!

My top 5 for Bond is:

5. Goldfinger
4. On Her Majesty's Secret Service
3. The Spy Who Loved Me
2. Goldeneye
1. Casino Royale

My 5 favourite for Bond is:

5. License to Kill (both Dalton Bonds are super-underrated, IMO; love the direction the took with this one and Robert Davi is a great villain).
4. The World is not Enough (also underrated, Brosnan's best after Goldeneye).
3. Casino Royale (already talked about it above)
2. Live and Let Die (LOVE IT. Jane Seymour is my favourite Bond girl, the settings are awesome and love the villains. Also Moore is my favourite Bond).
1. Goldeneye (Martin Campbell is the best, modern Bond Director by far; this film is just awesome from the word go and it is my 3rd favourite film ever).

OHMSS would be 6th and TSWLM would be 7th. After that, I'd need to take a closer look at the films to make a definitive list lol.
The older I get, the more I appreciate On Her Majesty's Secret Service. I think it's aged incredibly well (and We Have All The Time In The World is such a beautiful song). To be honest, I find merit in every Bond movie with the exception of Die Another Day. I agree the Dalton movies are pretty underrated! As for Moore, it depends on my mood, but stuff I liked as a kid like Live and Let Die don't hold up, but Octopussy genuinely surprised me in that it was much better than I remember (awful theme song though haha).
 
The older I get, the more I appreciate On Her Majesty's Secret Service. I think it's aged incredibly well (and We Have All The Time In The World is such a beautiful song). To be honest, I find merit in every Bond movie with the exception of Die Another Day. I agree the Dalton movies are pretty underrated! As for Moore, it depends on my mood, but stuff I liked as a kid like Live and Let Die don't hold up, but Octopussy genuinely surprised me in that it was much better than I remember (awful theme song though haha).
YES! Octopussy would probably be my #8! lol

Moore is not the best Bond (I put him 3rd of the 5), but I love his charm, wit and the overall collection of films he's in, I prefer to the other guys.

And I agree with you in terms of merit, save I also feel For Your Eyes Only is completely devoid of anything worthwhile:

- You have a sadistic and awesome Dragon to the Big Bad at your disposal; what do you do? Don't show him kill anyone and unceremoniously dump him off a cliff in a car. Really?
- The BS with Kristatos' skater (Bibi Dahl) having a crush on Bond, despite being underage. Really?
- Carole Bouquet, IMO, is the most plain-looking and boring Bond Girl. Her shtick as an archer is an interesting plot point, but they don't use it (aside from the pool scene).
- YOU HAVE TOPOL IN YOUR FILM!!!!! WHY NOT USE HIM EFFECTIVELY?!?!?!?!?!?! Gah! Maybe I'm just used to his Fiddler on the Roof-type character? lol
- Most-egregious of all (and this is objective), WTF is that god-awful Sheena Easton song doing as the theme ina Bond Film? :mad: I agree with you that, "All-Time High,"s not stellar and neither is, "If You Asked Me To," (closing song to License to Kill), but they're a helluvalot better than FYEO. Ugh lol.

Anyways, I'm in full-out rant mode lol, so I apologise!
 
1917 (amazon prime), i would give it a solid 9/10, its very good and well made but ending was a little weak.

david Copperfield ( amazon prime) interesting story and visually interesting = 8.5/10. i would say Armando Iannucci is one of my favourite direct at the moment - the death of Stalin was also very good

borat 2 ( amazon prime) i would give it 7/10. yes, it funny but ultimately it is just junk food entertainment, which could of been shown on tv. Political correctness has killed it off but I remember this type of silly / outrageous entertainment being quite common on TV back in the early to mid to 2000's. one thing i did like though is that some of the stuff shown in the trailer was not in the movie, so there is no "ah.. ive seen that" moments, unlike other films.
 
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So i've gotten through another 10 (although i'm slowing down it seems!)

1) Friday the 13th Part V: A New Beginning (Danny Steinmann, 1985): This might just be the worst one yet. There's a real nastiness to this one. Normally, i'd be all over it, but there was something a little too "try-hard" here.

2) The Witches (Nicolas Roeg, 1990): I can't remember if I watched this as a child or not, but even as a 35 year old, this was a pretty creepy movie! I love the fact this this was a kids film directed by such family fare as 'Performance', 'The Man Who Fell To Earth' and 'Don't Look Now'!!

3) Witchery (Fabrizio Laurenti, 1988): AKA La Casa 4. Fuck me, this was dire. When David Hasslehoff was the best thing about it (!), you know there's something wrong here. Maximum marks for the awful special effects though. I still have La Casa 5 to go through...!! In Italy, The Evil Dead trilogy were known as La Casa 1 - 3, so this is an unofficial sequel in the same way that Zombie Flesh Eaters was known as Zombi 2 in Italy (Zombi of course being known as Dawn of the Dead elsewhere in the world). Which reminds me...I got my 7-disc edition of Dawn of the Dead today <3

4) Iron Fisted Monk (Sammo Hung, 1977): This was my first Sammo Hung movie and even though I was mega sleepy watching it (8% beer and starting at 10:30pm can do that), it was great fun. It's a bit disturbing this was classed as a comedy when there is some pretty nasty sexual violence scenes.

5) Journey to the Shore (Kiyoshi Kurosawa, 2015): Another great film from Kurosawa (2 great Kurosawa's!). This was a gentle paced ghost romance drama. It dragged a wee bit towards the end, but it comes highly recommended!

6) The Howling (Joe Dante, 1981): I am a little ashamed to admit that I always watch films with subtitles on at home, even if it's in English. I hate mis-hearing something as I stop concentrating on the film trying to work out what was said. I had difficulty with this film as there were no subtitles and it was a pretty poor transfer, so the sound was often muddy. I also feel asleep, so sadly couldn't rate this as much as i'd like. A shame, as I do like Dante's work.

7) U2: eXPERIENCE + iNNOCENCE - Live in Berlin (Matt Askem, 2020): I am a huge U2 fan; they were one of the first bands I got into and 20 years later, I still love them. This was the 2020 fan club gift; a 24 track, 140 minute concert of their final show on their 2018 tour. I was lucky enough to see them a few weeks before this show (and being a fan club member, got a cracking seat), so this was a joy to relive. Even if their recent works aren't among their best, there's no doubting their live credentials. Songs that don't work so well on record have a new lease of life live. I've seen them 3 times (in 2015, 2017 and 2018) and hope I can see them more!

8) Bruce Lee: The Curse of the Dragon (Fred Weintraub & Tom Khun, 1993): It's always strange watching old documentaries as they can age pretty badly. I finished my Bruce Lee boxset and there were 3 feature length documentaries from the 70's - 90's. This might be the best of them, but even at 85 minutes, it barely scratches the surface of his extraordinary life.

9) Bloody New Year (Norman J. Warren, 1987): My goodness, I thought Witchcraft was cheap, but this British horror is even cheaper! I quite liked the first half, but quite frankly, it drags so bad and it's not scary in the slightest. It's a fun little film, but of the 5 films I've seen of Warren's, this was the weakest by far.

10) Beautiful New Bay Area Project (Kiyoshi Kurosawa, 2013): A 30 minute short film that seems to combine social commentary, romance and some pretty brutal martial arts. It's a bizarre little film, but kinda fun. Kurosawa is mostly known for his horror films, but of the 3 i've seen so far, all have been of different genres.

I just watched the Cannes cut of Dawn of the Dead (the 140 minute version) and it was glorious. It's so odd, because I always find this film a little too overlong and padding, but it's still a cracking film. It better be since it cost me £65!
 
outland (1981) - Sean Connery (dvd)

finally got around to watching outland. the gritty space station setting is pretty cool, Sean Connery is acting is top-notch. The overall story was good but I thought the ending was a little bit week.. also everyone apparently uses shotguns in the future. + pretty cool to see peter boyle in his prime, ive only ever know him as an old man in "everybody loves Raymond" = i would give its movie 7/10
 
finally got round to watching peter jackson's ww1 Documentary/movie, "they shall not grow old". hearing the voices of the World War I soldiers describing the every day to the horrors of battle, really brings the First World War to life. well worth watching ( its free on bbc iplayer at the moment) = 9/10
 
6) The Howling (Joe Dante, 1981): I am a little ashamed to admit that I always watch films with subtitles on at home, even if it's in English. I hate mis-hearing something as I stop concentrating on the film trying to work out what was said. I had difficulty with this film as there were no subtitles and it was a pretty poor transfer, so the sound was often muddy. I also feel asleep, so sadly couldn't rate this as much as i'd like. A shame, as I do like Dante's work.

Without fail, I watch films and TV (not live TV, mind you) with captions/subtitles. Period. So many times you can't make out what people are saying or you'll miss a background character's lines. It also helps my wife figure out what's going on, when the film has a plot that is convoluted (she's a visual-learner, thus if she reads/sees things, it's easier for her to put together, rather than simply listening).

BTW, you mention Dawn of the Dead; is this the original or the 2004 remake? :D
 
I watched Oliver! for maybe the eightieth time (since I first saw it about seventeen years ago) the other day. Fucking love that film. Somewhere in my top ten, for sure.

"Consider Yourself" is my favourite number, but I hold a special place for "Oom-Pah-Pah," especially because of how it is used: Nancy rousing the entire tavern into singing and dancing in order to create a distraction to sneak Oliver, who is being held under duress, out of the place, knowing full well she will suffer the consequences at the hands of her brutish boyfriend, Bill Sikes, for this act. Brilliant stuff.
 
Without fail, I watch films and TV (not live TV, mind you) with captions/subtitles. Period. So many times you can't make out what people are saying or you'll miss a background character's lines. It also helps my wife figure out what's going on, when the film has a plot that is convoluted (she's a visual-learner, thus if she reads/sees things, it's easier for her to put together, rather than simply listening).

BTW, you mention Dawn of the Dead; is this the original or the 2004 remake? :D
I'm glad you agree. I'm OK with non-subtitles in the cinema (unless it's obviously a foreign film) as I can concentrate better! Ah, I refer to the original 1978 version. An all time classic :)

Tonight, i'm watching El Topo (Alejandro Jodorowsky, 1970)...I loved this film a decade ago as it made me feel smug and pretentious, but watching it today is not a good idea. I feel kinda depressed today and this is a rather nihilistic and pretentious movie...I should've picked something kinder haha.
 
Same; in the theatre, you can't help it, unless it is a foreign film (of which my wife and I take in around 10+ a year, at the theatre/cinema).
 
Here's the next 10 i've watched~

1) Document of the Dead (Roy Frumkes, 1979-2012): This was originally a documentary about the making of 'Dawn of the Dead', but has since been expanded twice to incorporate later films in Romero's career. It's fine for what it is, but the fact that the documentary is done over 40 years has a disjointed approach.

2) The Enigma of Kaspar Hauser (Werner Herzog, 1974): An incredibly well made film based on the true story of a young man imprisoned since birth only to be randomly set free as an adult. He somehow becomes a member of high society as people flocked to see this interesting person. It reminded me of The Elephant Man (David Lynch. 1980) in this respect. I love Herzog, but his output is incredibly bi-polar in terms of quality. Luckily, this was fantastic.

3) Celebrity (Woody Allen, 1998): I am a huge Woody Allen fan, even if many of his films follow a set template. Usually those of an awkward man moaning about things he doesn't like. Even though he doesn't act in this one, you can tell who is the "Woody" character right off the bat! It was interesting to see Leonardo Di Caprio in this going against type as a drug taking domestic abuser...

4) Fatal Attraction (Adrian Lyne, 1987): One of those films that everybody knows (the bunny boiler!), but i've never seen. For what it's worth, it's actually a pretty tense thriller, although all throughout the film I just kept thinking that the main character's wife was much nicer and prettier than the woman he had an affair with. If I was in that film, the end credits would've been 5 minutes in~

5) A.I. Artificial Intelligence (Steven Spielberg, 2001): Another one i'm shocked i've never seen before. I'm unsure what to think about this one, because there is an overabundance of cute whimsy which I think can be overbearing at times, but the last 10 minutes were absolutely wonderful and almost made me cry. The special effects still hold up well and the fact that Stanley Kubrick's fingerprints are on it, makes this a pretty special film. I think it's one that will hold up well in the future.

6) Godzilla vs. Gigan (Jun Fukuda, 1972): Another throwaway Godzilla film (that £150 I spent really doesn't seem worth it now), but it did shock me in that it was surprisingly gory. Godzilla bleeds! The fact he fights a robot chicken with a buzzsaw for a stomach is class of the highest order.

7) Hang 'Em High (Ted Post, 1968): I adore Clint Eastwood and this is one of the few films of his I haven't seen. I find it odd that as a slightly left leaning individual, I like his dark films. This is a pretty nasty western and although it's a bit too long, I liked the difficulty of balancing justice with wanting to be a vigilante.

8) Heart of Glass (Werner Herzog, 1976): Earlier, I said that Herzog's output is bi-polar. This film was awful. To be fair, I watched this on a night when I wasn't feeling it, so to watch an obtuse film with strange dialogue and a plot I don't understand didn't have a chance. I might try again in a few years time, but sadly this film will just remind me of an unpleasant evening. It could've happened to any film sadly.

9) What We Do In The Shadows (Taika Waititi & Jemaine Clement, 2014): I love Flight of the Conchords (and was lucky to see them live a couple of years ago), so am surprised it's taking me so long to see this mockumentary on vampires living in modern day New Zealand. It's not laugh out loud funny, but it was full of amusing set pieces and it was made with so much love that you can't help but like it!

10) Creepy (Kiyoshi Kurosawa, 2016): Another great thriller from Kurosawa. The title is apt; I felt on edge for a huge portion of the film, but again, it felt like it was 10 minutes too long. I think he could do with a good editor to make it a little tighter, but otherwise, I think he is a very talented individual and am happy to watch more. There's one more film of his in my backlog, so fingers crossed the quality continues~
 
saw a few sean connery films. time-bandits and the man who would be king. both are pretty good.
i read there was meant to be a sequel to timebandits where the kid was in his 30s but David Rappaport sadly took his own life, so Terry Gilliam scrapped that idea. there is some talk they are rebooting it into a tv series.

i also saw holmes and watson on netflix. the movie was apparently a flop but i liked it, not amazing but it's completely silly film.. on a side note, i often find if your not paying for a film ( £10+ at the cinema or buying a dvd), you enjoy it more.
 
i saw Robin and Marian (1976), staring Sean Connery and Audrey Hepburn.

the film is about robin hood, who is now in his 40s, going back to england after fighting in france/crusades.

there was quite a lot of other famous people in this film, which is pretty cool. the story was good but the sword fighting is terrible.. if this film was made in the last 20 years i would imagine they would of gotten historical, sword fighters to help created more realistic combat scenes and the film would be a solid 9/10.. as is, i would give it 7.5/10.
the ending is really dark and disturbing .. spoiler.. marian ( audrey hepburn) poisions herself and robin hood ( sean connery) against his will and they both die. :censored:
 
Been a while since I’ve watched anything but last night I decided to try ‘Requiem for a dream’ after having heard what it was about and thinking it might be useful for an idea I had.

The one thing that almost ruined it for me was having forgotten this is where that annoying song everyone used way back came from. Maybe not its fault really, but I do feel it was overused within its own film and that the soundtrack could have used more variety, or even sometimes silence would have worked better. As is, it kind of makes thing too melodramatic and hard to take as seriously. That and some of the editing where it was implied the characters took drugs being relegated to a few shots quickly cut together...I guess it was sort of a style but it just made it seem like it was all quick and painless. I guess popping pills is just that, but I don’t know about everything else.

Otherwise, I think I enjoyed it for the most part, depressing as it was by the end. The performances were all pretty good, though Keith David had a hard time being creepy in my mind after mostly knowing him from Saints Row. :p I like that the story wasn’t necessarily about addiction to specific drugs, but addiction and how people deal with it in general; for example, Sara’s problems didn’t start with her pills or even her food, but rather more issues to do with feeling isolated and forgotten by her friends and family. I almost wonder if the Sarah Palmer of Twin Peaks was named after the Sara from the novel...But anyway, stuff like that and the hallucinations and all almost reminded me of Paranoia Agent which I guess is a good thing.
 
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