When it comes to Shenmue 3 ?
Master 1: If you want me to teach you that technique, you'll have to pay.
Master 2: If you want me to teach you that technique, you'll have to pay.
Inaccurate. Son tells Ryo that he won't teach him without tribute in the form of aged Baichu. It's secondary that the alcohol is also very expensive, and the game has you go in search of it. Bai tells Ryo that he needs to track down a scroll for a more advanced Bajiquan technique, if he's going to be able to teach him anything. It's secondary that Ryo happens to find one (which is maybe overly convenient, really), and it's the most expensive one in town.
What does that mean? I never had to grind for money and skills as part of some kind of "daily routine" in the first 2 games.
(EDIT)I played S1 and 2 days before I played 3 and I played S3 the exact same way; I routinely hit walls where my only option was to waste my time and grind for money and/or skills.
I also played the first two games right before playing SIII. All I'm saying is that your premise was that no die-hard Shenmue fan would enjoy heavy grinding, and my experience didn't come with forced grinding, because I kept up a normal Shenmue routine. So my scenario doesn't meet any part of your premise. Also, outside of gambling and herbs, I found chopping wood to be the most efficient job: It's possible to do 2-3 sessions in an in-game hour, and I averaged about 65 Yuan per attempt. That's an average of 195 Yuan per in-game hour, and 585 Yuan for three in-game hours--which I recall being the length of fishing and forklift driving.
At any rate, it wouldn't be new for the series, and it's even a part of Yakuza 2, I've recently found out, where you'd essentially be forced to grind mahjong, of all things, to turn around and pay an informant, four feet away--twice.
Some people are really on about this, though. I'm not really trying to defend this kind of gating, but I tend to barely notice it, and it's just kind of odd that it's such a big issue for people now. I still play a lot of really early JRPGs, though, so maybe I'm just immunized.
Then, as I've said before, he shouldn't have gotten out over his skis. Work within the budget you have, not the one you want.
Scoping the project was obviously an issue. I don't suppose you've ever set up a small game development studio, and produced a sequel to a niche, big-budget series, on a very modest budget, in order to provide more insight into the challenges with scoping such a project, have you? I also wonder if it was possible that putting all of his eggs into one basket (ie. story) would have risked alienating another segment of the fanbase who care more about side activities, npc interaction, capsule toys, etc. Personally I tend to like all elements of Shenmue pretty equally.
surely we could've got something to clarify this.
Clarify what? That the name of a category of tree refers to more than one tree, as with "Redwood"?
Yes I failed to engage with it, no it's not "my fault". I'm sure George Lucas had noble intentions when he was writing Anakin and Padme's love story but that doesn't mean he used the cinematic language properly to tell it.
Are you certain? Did you formulate this idea of the ending cutscene from one viewing, or multiple?
I might be crucified for this, but I'm not a fan of Star Wars, and wouldn't really use it to gauge any sort of cinematography, personally.
I'm not saying that Shenmue III is quite this detailed, or intentional as these examples, but this video essay might demonstrate what I'm intending to point out here:
Also, SII has a very similar scene at the beginning of Disc 4, where the camera work may be a little better, but the 'acting' is probably a bit worse.
he should not need twice as much money as he needs in S2.
Not sure how you're going about your calculations. In SII Ryo is dealing in HKD. In Guilin, he's using Yuan.
Especially because S3 doesn't really mention the Shenmue tree like at all. Ryo doesn't even train in front of it or anything.
You mean aside from the scene where Shenhua and Ryo are standing in front of the one outside her house, talking about how pretty it is in full bloom, and that it will lose its petals soon?